Pencil sketch of four muscular naked men on top of each others shoulders against a beige background
Attributed to Juste de Juste, Pyramid of Five Men (detail), c. 1540–50, etching, The Barbara S. Longfellow Endowed Acquisition Fund. 2024.79

The Weirdening of the Renaissance

The Weirdening of the Renaissance

June 14, 2025 - November 30, 2025
Winton Jones Gallery (344)
Free Exhibition

In the early days of the Renaissance, artists emphasized order. Inspired by ancient Roman architecture and sculpture, they created structured compositions and statuesque figures that evoked lofty, rational thought. However, new ideas began to emerge. In 1506, the excavation of the ancient Laocoön sculpture, depicting the Trojan priest and his sons writhing as they’re attacked by sea serpents, released Renaissance figures from static poses. Artists began to manipulate the science of perspective and often dropped the idea of images representing the world as seen through a window. Earthy and outlandish thought flourished. Many images became just plain weird. With their creativity unleashed, artists left to us the joy of strangeness.

 

Attributed to Juste de Juste, Pyramid of Five Men (detail), c. 1540–50, etching, The Barbara S. Longfellow Endowed Acquisition Fund. 2024.79